Master audio HD 2000 Instrukcja Obsługi Strona 144
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Oceniono. / 5. Na podstawie oceny klientów
Section 5: The Patchbay
5 - 4 Euphonix CS3000/2000 Operation Manual
Half-Normalling
+
-
Gnd
Hot
Cold
+
-
Gnd
Hot
Cold
Upper Jack
(Output)
Lower Jack
(Input)
Plug takes signal from
the output without
breaking the feed to the
lower socket.
Plug feeds a source into
the lower jack's input
and disconnects the
upper jack feed.
Both the Channel and the Master patch unit are half-normalled. This means
that the upper jacks which carry the output are internally wired (normalled)
down to the lower jacks which always accept an input. If you plug a patch
cable into an upper jack, you will be able to take a parallel (mult) feed from
that output and send it somewhere else without breaking the connection to
the lower jack input. Simply plug the second end of the cable into a lower
level patch jack.
If you put a plug into a lower jack, you break the feed from the upper jack, and
replace it with the signal you are patching into the lower jack. Most modern
patchbays are half-normalled.
- Operation Manual 1
- CS3000/2000 2
- TABLE OF CONTENTS 3
- Table of Contents 14
- INTRODUCTION 15
- Section 1: Introduction 16
- SECTION 1 : INTRODUCTION 17
- The Audio Tower 18
- The Support Computer 19
- The Patchbay 19
- I/O Channel Module 20
- Master Module 21
- This Manual 23
- Useful Symbols 23
- Master Control Panel 26
- Dedicated Keys 27
- Using the 28
- Assignable Rotary 29
- Control Set 29
- Mode Select Keys 30
- Equalizers 31
- Preset Macro 33
- Channel/Route Select 34
- Track Assign Keys 35
- Transport Controls 35
- Monitor Section 35
- Assignable Moving 36
- GETTING STARTED 43
- Section 2: Getting Started 44
- SECTION 2 : GETTING STARTED 45
- Status Bar 46
- MAKE A BACKUP!!! 47
- File Hierarchy 48
- Mounting Disks 48
- System Data 49
- Organization 49
- Project Comments 51
- New Project 51
- Comments 53
- Date and time of 53
- Title Window: 53
- File Menu 54
- Title Comments 55
- What’s in a Title? 55
- Save Title 55
- Load Title 55
- Title Utilities Menu 57
- SNAPSHOT RECALL 59
- Section 3: SnapShot Recall 60
- SECTION 3 : SNAPSHOT RECALL 61
- Pg 1 Pg 2 Pg 3 Pg 4 62
- Attention 65
- SnapShot has been saved 65
- Nulling Controls 66
- * Nulling requires 67
- pressing the block key 67
- Auto-Backup 69
- Recalling the 69
- Backup SnapShot 69
- Isolate During 70
- Items NOT Stored 70
- TUTORIAL 71
- Section 4: Tutorial 72
- SECTION 4 : TUTORIAL 73
- Line Out 73
- Assign Dedicated keys 75
- Source Dedicated keys 75
- M1 & M2 only 75
- +18 to -42dB 78
- +6 to -33dB 78
- Save That Console 79
- Selection 79
- Bus/Tape switching 80
- EQ LED illuminates when 81
- Stereo Linking EQs 82
- Default EQ Values 83
- Adjusting EQ with the 83
- EQ 1 (M1) 84
- EQ Curves 85
- Musical Note Value 86
- Adjusting the EQ 87
- Using Keypad 87
- Copying EQ values 87
- Insert Points 88
- Stereo Limiter 90
- Recalls Default 92
- Snapshot 92
- Fader block key 93
- Pre-insert EQ 94
- Exercise 4 95
- MT Bus to Out3 96
- Out3, M1 designation 96
- Routing Menu 97
- Line 4 Bus/Tape Menu 97
- Stereo Inputs to 98
- Multitrack 98
- Exercise 5 99
- M1 M2 DIR 100
- L1 L2 ST1 100
- L3 L4 ST2 100
- Exercise 6 101
- Aux Mode Select Menu 102
- Exercise 7 103
- Copying an Aux 106
- Controls AFL/PFL Level 107
- SOLO AFL and PFL 107
- SIDE NOTE: 108
- Turns green 108
- Direct Outputs 109
- F3F1 F2 F4 110
- The Combiner 111
- Combiner/DIR 112
- Experiments 112
- 4 Band EQ 114
- STEREO 1 BUS 114
- L R 114
- Main Stereo Outputs 116
- Stereo Bus Insert Points 116
- Switches to 117
- Left Right Stereo Mono 118
- A1•2 A3•4 A5•6 A7•8 118
- Ext 1 Ext 2 ST1 ST2 118
- Talkback/Oscillator 120
- Talkback Mic 120
- 100Hz 1kHz 10kHz 121
- CLIP Indicator Options 122
- D monitor 123
- Monitor SET 124
- Monitor Combinations 125
- Film Monitor Mode 125
- Film 4-Track Dolby 126
- Monitoring Diagram 126
- Film 5.1 Monitoring 127
- M/S (Sum & 128
- Difference) Modes 128
- M/S Channel Operation 129
- Block Diagram 129
- Locate Menu 132
- Cue List Menu 133
- Cue Points 134
- These keys should both be 134
- OFF to use the console’s 134
- Capture Mark Point 135
- Capture Cues 136
- “On The Fly” 136
- Recall A Cue (Locating) 136
- Next Cue/Last Cue 137
- Editing the Cue List 137
- F1 F2 F3 138
- Cycle icon turns green 139
- Cue list 139
- Rollback key 139
- Fader Names 140
- Locating To Start 140
- (LTS) Function 140
- THE PATCHBAY 141
- Section 5: The Patchbay 142
- SECTION 5 : THE PATCHBAY 143
- Half-Normalling 144
- Rear of Audio Tower showing 145
- The Euphonix 145
- Patchbay System 145
- Patchbay Layout 146
- Channel Patch Unit 147
- User Connections 147
- Channel Inputs 148
- Normalling the 150
- Audio CUBE 150
- Master Inputs and 152
- Monitor Outputs 153
- Continued… 153
- Talkback In/Out 153
- (TB Out, TB In) 153
- TO AUDIO MAINFRAME 154
- MOVING FADERS 155
- Section 6: Moving Faders 156
- SECTION 6 : MOVING FADERS 157
- Moving Fader 158
- SmartDisplay 158
- First Punch 161
- AUTOMATION 163
- Section 7: Automation 164
- SECTION 7 : AUTOMATION 165
- Turns MMC on 166
- Dialog box warns you that if 167
- Name mix, press [Return] 167
- ±00:00:00.00 168
- Automatable 169
- DSC Dedicated 170
- Automation Keys 170
- Object Select keys 171
- The Punch key 171
- Fader Moves 172
- Null Lights 172
- Punch Out 172
- Pan Move 172
- Mute Move 172
- Pass Control 174
- View Scale 175
- Full/Half Screen 175
- Show Automation Viewer 175
- View menu 175
- With zoom activated 176
- Trim ATO W in W out 177
- Punch Menu 179
- Punch Setup Menu 180
- Exercise 1 181
- Templates 182
- Set Mode 183
- Isolate Mode 183
- Safe Modes 183
- Dyn Mode 183
- Tplt Auto 184
- Automation 186
- Edit Template 188
- Edit template color legend 188
- Edit Region 188
- On-The-Fly 189
- Using Cue/Locate points 189
- Offline Trim 189
- Exercise 2 190
- From pass and To pass 191
- Join Template 191
- DSC Automation Object keys 192
- Pass 13 created and 193
- Import Mix 194
- Group Coalesce 195
- Automated 195
- SnapShot Recall 195
- Auto SS key 196
- CHAN Parameter 198
- Channel/MIDI Preset 198
- [G*] SS29 T/C RCL 200
- GROUPING SYSTEM & 201
- FADER LINKING 201
- SECTION 8a : GROUPING SYSTEM 203
- Meters in Group Mode 204
- Select Group Slaves 204
- Fader/DCA Control 205
- DCADCA DCA 206
- Exercise 3 209
- Grps Mtrs 211
- Group AFL Kill Mode 213
- Group AFL 213
- Intercancelling Mode 213
- SECTION 8b : FADER LINKING 214
- DYNAMICS 217
- Section 9: Dynamics 218
- SECTION 9 : DYNAMICS 219
- Inverse compression 220
- ES108A Wiring 220
- Two dynamics per channel 220
- ES108A Front Panel Metering 221
- The ES108A Rear Panel 223
- Filter Path = Sidechain 225
- Filter Path = Main 225
- DynEQ Aux Pan 227
- Pg 1 Pg 2 228
- Clearing All Dynamics 229
- Assignments 229
- Only the EQ•Dyn(1) LED is 230
- Both the EQ•Dyn(1) and 231
- EQ•Dyn(2) LEDs are lit 231
- Assigning Individual 232
- Dynamics Processors 232
- Assigning Dynamics to 233
- Linking Adjacent 234
- Stereo Link 235
- Crosspatching 236
- Dynamics 236
- Saving Dynamics 237
- Inserting the Dynamics 237
- Dynamics inserted post-EQ 238
- Dynamics inserted pre-EQ 239
- “MIDI” indicator confirms 240
- Gain Curve 241
- GainCurve, GainBall and 242
- GainCurve and GainBall 242
- Examples 242
- Gate Hold Time 244
- The GainBall and RMS 245
- Dynamics Page 1 246
- Dynamics Page 2 247
- Accessing Dynamics 248
- Parameters with the 248
- Numeric Keypad 248
- CAUTION: 249
- [L1] [L2] [L3] [L4] 249
- 0 Enter Del 250
- Page 2 Numeric Keypad 251
- Select Filters 251
- Key Inputs 252
- Filters Pre-Compressor/ 253
- Filters Only 253
- Dynamics Factory 256
- Presets: Expander 256
- Presets: Peak Limiter 257
- Presets: Gate and 258
- Auto Comp Mode 258
- Presets: Ducker Mode 259
- MixView Display 261
- Dynamic Notch Mode 261
- Parameters 261
- Calibration Procedure 262
- THE AUDIO CUBE 265
- Section 10: The Audio Cube 266
- Dyn Aux Pan 267
- CUBE BUS INSERT SENDS 1-24 269
- CUBE BUS MSTR OUTS 1-24 269
- USER EQUIPMENT INPUTS 269
- CUBE BUS INSERT RETURNS 1-24 269
- Fully Half Normalled Patchbay 269
- Configuration 270
- “Standard” Cube Input 271
- Assignment Template 271
- L/U [16] 272
- Uppers Only 272
- Wrapped [n] 272
- Lower/Upper 272
- Lowers Only 272
- I/O Configuration 274
- 3 of 12 QBC Slots 275
- Input/Output Specification 275
- Operational 276
- Cube Aux Masters 278
- Buss Kill 279
- Control Initialization 279
- Pan Bus Masters 280
- HYPER-SURROUND 281
- Section 11: Hyper-Surround 282
- SECTION 11 : HYPER-SURROUND 283
- Understanding The 286
- Panner controls 286
- Front Pan 286
- Front Divergence 286
- The Concept of Focus 287
- Assign mode 288
- Attention mode 288
- EXERCISE 2 289
- EXERCISE 3 290
- Custom Formats 292
- MIDI REMOTE CONTROL 293
- MIDI presets 295
- Assignable key 296
- Sending Multiple MIDI 297
- Program Changes 297
- Assigning MIDI channel 297
- Remote Control of 298
- SnapShots 298
- External 299
- Equipment (OUT) 299
- Console Objects 301
- Equipment (IN) 301
- APPENDICES 303
- F8 F9 F10 305
- Appendix 2: Titles andFiles 306
- Settings 307
- CS3000 4-96 Two Tower System 309
- Top View 310
- CS3000-3-72 311
- CS3000-4-104 311
- CS3000-2-40 311
- Front View 312
- Left Side View 312
- Top View of Mix Controller 313
- CS3000-4-96 313
- Music System 313
- EUPHONIX MIXING SYSTEMS 315
- Stereo Output 4-47 317
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